If his previous album, Requiem, sounded like it was conceived and executed inside an airless tomb – so dense and taut was the material – on his new record John 5 relaxes his grip, introducing a touch of off-hand splendour to his lab-like modus operandi which has always been all about precision, precision, precision. And this new approach works wonders, as he lets the proceedings unfold on a grander scale, letting in more air and light, and starting to think in bigger, bolder compositional ideas.
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